WEEK 8 - AA1: Recording Electric Guitar
This week I'm using an Epiphone hollow body guitar (1) and a Roland 50 watt bass combo with tone controls flat (neutral). So I am starting with a fairly clean sound.
The first 3 takes were recorded with the UM 1209.
Take 1: About eight inches from the centre of the speaker. The results I found clean, notes distinct.
Take 3: Mic on a 45% angle, just over a foot away, pointing directly at centre. This take really is a cross between the first two to my ears. Clarity of Take 1 but with the earthiness of Take 2.
I didn't love the Rode alone but doubling brings it to life somewhat.
ProTools Screenshot of guitar takes. (4)
This really made clear the extreme differences mic positioning makes.
References
Fieldhouse, Stephen. Audio Arts Tutorial - Electric Guitar. EMU, University of Adelaide, South Australia, May 4, 2007
1/ "Sheraton Archtop Collection." Epiphone Musical Instruments. http://www.epiphone.com/default.asp?ProductID=8&CollectionID=1 (accessed May 4, 2007).
2/ "Rode NT2." Real Image Moving Picture and Sound. http://www.real-image.com/audio/others/rodent2.asp (accessed May 4, 2007).
3/ "Microphones à Fils." TSLA. http://translate.google.com/translate?hl=en&sl=fr&u=http://www.tlsafrance.com/Catalogue.aspx%3Fref%3DS29%26path%3DS27%257C&sa=X&oi=translate&resnum=2&ct=result&prev=/search%3Fq%3DTLSA%2Bum%2B1209%26hl%3Den%26sa%3DG (accessed May 3, 2007).
4/ "ProTools LE & M-Powered Systems." Digidesign. "http://www.digidesign.com/index.cfm?navid=28&langid=61& (accessed May 4, 2007).
2 comments:
The first recording sounds good. I like the 'roundness' of it. Good midrange. It's not dull and it's not too bright.
I think the Rode mics are a tad bright but it does sound better doubling it the way you have.
The last sample did it for me, would've love to have heard you use the same guitar and amp,but using the 421 and u-87 at EMU so as to be able to compare them using quality gear.
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