WEEK 12 – Forum: Composition & Improvisation

An enjoyable way to end the day, Stephen and David spinning CD's whilst discussing composition and improvisation. Having attempted a jazz diploma some years ago (eventually running away with the theatre), I had to agree with Stephen's notions that by putting a framework around jazz, we formalise its essence. What I remember is corridors of Charlie Parker bots, and enough swing 8's and bossa nova to make you run screaming, which I did (I got better!).

Whilst studying, I got a high distinction for Jazz Improvisation, Practical (improvising with instrument) and a fail for Jazz Improvisation,Theory (improvising half a page explaining what a ludicrous idea written improvisation theory exams were with desk, paper, pen).

It's about how you rate improvisation. One idea is improvisation = randomization. There is a big difference with jazz. Random means a micro-second before your solo (or phrase) you mightn't know what you're about to play. The first note may be random, but the trail of notes leading away from there is connected. The human brain can't help do this. Some purposely attempt to oppose what the brain is telling them and have gone beyond jazz. So what is jazz?

Anthony Braxton, Iridium Jazz Club, NYC (1)

Are we saying composition is 'repeatable and played the same way every time' and everything else is … improvisation? That improvisation becomes composition when it is written down? Rumour has it, 'great classical composers' improvised, probably post-sherry of an evening for entertainment. So 'great works' of 'great composers' didn't just plop out fully formed at court (usually). 'Great classical composers' worked them up by composting with some impro first, as have composers everywhere always; a fact that seems to get lost in the congealed austere pomp and analysis of a few hundred years.

An improvising musician has chosen composition as an occupation. As with many musical/cultural traditions, their 'compositions' are written down only when someone (usually someone else) sits for hours analysing and figures out a way (usually inadequate) of expressing what they're hearing on paper, making it repeatable, therefore fitting the previous definition of 'composition'. Everybody happy?

(Have an excellent break, all J.)

References:

Harris, David. "Music Technology Forum: Composition & Improvisation." EMU Space, University of Adelaide, South Australia. June 31, 2007.

Whittington, Stephen. "Music Technology Forum: Composition & Improvisation." EMU Space, University of Adelaide, South Australia. May 31, 2007.

1/ Photo of Anthony Braxton at the Iridium Jazz Club, NYC, 17-March-2006.
"Restructures - Creative Music Forum." Restructures - Creative Music Forum. 2007. http://www.restructures.net/ (accessed June 6, 2007).